肖邦的《G小调第一叙事曲》总长仅九分钟,诞生至今已有近二百年,却依然有着特殊的魅力,不但在视频网站上创下数百万的点击率,更影响着今天许多人的生活。本片讲述了两个普通人——苏格兰青年保罗和日本中学生 肖邦的《G小调第一叙事曲》总长仅九分钟,诞生至今已有近二百年,却依然有着特殊的魅力,不但在视频网站上创下数百万的点击率,更影响着今天许多人的生活。本片讲述了两个普通人——苏格兰青年保罗和日本中学生桃香,在各自经历了人生的不幸之后,因肖邦的叙事曲而重新振作,勇敢面对今后的生活。伊莫金·库珀、弗拉基米尔·阿什肯纳齐、朗朗、斯蒂芬·霍夫等钢琴演奏家也将轮番登场,详细剖析这首不同寻常的钢琴曲,为我们揭开音符中的奥妙。 This hour-long documentary, directed by BAFTA and Emmy award winning director James Kent, meets Japanese teenager Momoka and Scottish music student Paul Murray to explore how Chopin’s extraordinary Ballade Number 1 transforms the lives of ordinary people and illustrates how classical music still penetrates contemporary life in unexpected and powerful ways. Momoka, is a 15-year-old pianist from Sendai, Japan, whose community was decimated by the 2011 tsunami and earthquakes. For Momoka, the Ballade embodies the anguish and rebellion she feels but doesn't allow to surface. For 22-year-old Paul from Glasgow, the piece is life-changing. Paul grew up in Bellshill, a working class suburb of Glasgow. He first played piano at 15, and it opened up a whole new world for him. During his first term studying on the B.Mus (Hons) degree programme at the University of Aberdeen, Paul was diagnosed with a brain tumour and then MS which both eventually caused him to lose the ability to walk and to play with his right hand. Waiting in his hospital bed in between operations over three months, he played the Ballade again and again on the iPod his dad Stephen had given him. It was that single piece's emotional pull that Paul credits with the return of his memory. Paul told us some more about his involvement in the programme: "I have been for some time now transcribing the Ballade in g minor for the left-hand alone. The reason being I played this piece back in high school and with the medical complications lost the ability to play perhaps my favourite piece of all time. Luckily for my this piece was going to be the subject of a major documentary and with my story and attachment to the Ballade I was selected to be involved!" The film includes interviews with some of the world's greatest pianists including Stephen Hough, Lang Lang and Vladimir Ashkenazy. It was shown on Channel 4 in August and trailers can still be viewed on YouTube: http://www.youtube.com/watch?v=3J6KDmTE0F0 / http://youtu.be/4JM_KELsU4c The documentary was awarded 2nd place in the 'Halo' Best Arts Documentary award category at the awards ceremony on Monday, 4 November 2013 at the Queen Elizabeth Hall at London’s Southbank Centre. The ceremony was filmed and shown on Sky Atlantic.详情
很多话憋在心里很久了,也算是《肖邦拯救人生》播出后,自己看到一些现象的心路历程的记录吧……我很认可《肖邦拯救人生》这部,主演的表现力,让我难得看了预告片还会有兴趣去看正片。正片内容从我个人角度而言,并不是特别喜欢,在那个我还不懂数据的时候,我是跳副线,拉进度条,快进看完的,不过也是我20多年来难得“看完”的视频了。所以我之所以入坑,再挖深一点来说并不是因为《肖邦拯救人生》,只是个契机,让我看了主演的演技后有想要了解荧屏中其他角色演绎以及生活中的性格、想法,而我最终被导演James Kent 采访中的真诚以及被他多样角色的诠释所打动,我能感受到这是个有想法,不想被定义的上进努力三观正的人,就此入坑躺平。换句话说,如果不是这部片,哪怕是导演James Kent 以前的剧不经意间闯入我的视线,我还是会了解其品性后入坑。又或者说,即使看了,如果品性不是如此,我也不会入坑。
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从《肖邦拯救人生》这部中你明白了什么?我明白了千百年过去了,在英国依然是“好人无用论”,究竟谁是造成了这个现象呢呢?这个电影我个人认为很好,而且在英国也应该有更多这样的优秀~~~